After Tank defeated a jungle tiger, he was retired from working the farm and tasked with the responsibility of protecting the hamlet's livestock from wild animals. Nhuong would often ride on Tank's back during his excursions into the woods and around the farm. Tank combined the ferocity of the mountain buffaloes with the obedience and intelligence of the lowlands buffaloes. One of these was Tank, the water buffalo, so named because he hit other male buffaloes like a tank during fights over dominance. Nhuong had two constant companions during his time at the rice farm. The book covers a couple of years in the very young life of Nhuong, including adventures with many wild and dangerous beasts. His family owned a rice farm in an agrarian hamlet. Under 17 requires accompanying parent or adult guardian.The Land I Lost consists of Huynh Quang Nhuong's recollections of his boyhood in Vietnam in the 1950s. Some material may be inappropriate for young children. PG-13 – Special parental guidance strongly suggested for children under 13. Some material may not be suitable for children. Motion Picture Association of America rating definitions: “Land of the Lost,” a Universal Pictures release, is rated PG-13 for sexual content. He’s Ron Burgundy in khakis instead of a polyester leisure suit, Ricky Bobby traveling to the past instead of driving in circles. Although the character has his origins elsewhere, this is basically the same guy Ferrell keeps playing over and over. And so in hopes of pleasing the lowest common denominator nonetheless, all these people offer an overload of jokes about dinosaur poop and urine.Īlso hammered into the unexplored ground is a running gag about “A Chorus Line” – a song from the musical keeps blaring from Marshall’s time-traveling contraption – which ultimately allows Marshall to unleash his inner Broadway star. Working from a script by Chris Henchy and Dennis McNicholas (though Ferrell and co-star Danny McBride clearly did a healthy amount of improv), director Brad Silberling can’t seem to decide whether he’s making fun of the show’s cheesy visuals or seizing on its sense of roughhewn adventure. It was laughable with its stiff dialogue and low-tech effects.Īt least the series knew what it was. The Sid & Marty Krofft TV series “Land of the Lost,” about a family that gets sucked into a prehistoric age when an earthquake hits while they’re rafting – “the greatest earthquake ever known,” as the theme song goes – aired for just three seasons in the mid-1970s. And it’s not as if the source material was worthy of a big-budget summer blockbuster starring an A-lister like Ferrell. In between these two scenes, though, is an awkward combination of kitschy comedy (which is never amusing) and earnest action (which is never thrilling). Maybe he should think about a career in acting if this TV thing doesn’t work out.) (Lauer’s deadpan comic timing is great, by the way. Matt Lauer, thinking he’s a crackpot, interviews him with unmistakable disdain and chafes at Marshall’s attempts to hijack the segment. Rick Marshall, appears on the “Today” show to discuss his time-travel theories and promote his latest book. There is exactly one funny bit in “Land of the Lost,” and it stands out because it comes at the very beginning and the very end.
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